Sam Horbury
Level 06
BA (Hons) Graphic Design
Leeds College of Art

OUGD 504 - Studio Brief 1

For this session, we were put into small groups of around 5 and critiqued each others work, along with a tutor. In order to make this critique more focused and efficient, we had to pick either Design For Print or Design For Web; I chose Design For Print as this is the project that I am currently most involved with. In this group critique, we were in charge, to a certain extent, of the feedback that we received; each of us had a critique feedback sheet and had to make note of comments people in the group had of our work.

Strengths of my project:
  • Well rounded concept
  • Limited print run, allowing me to focus more on finishing techniques
Areas for improvement:
  • Test out on other people, as thus far many people have had difficulty warming up ink enough
  • Think about stock and how different substrates will react differently to the ink
  • Talk about mass production and limited print runs, and how this will effect your outcome
  • Maybe explain the processes used - 'Let the processes do the work for you'
Considerations:
  • Stock and Processes, what works best?
  • Processes used, are they practical?
  • Mass production limitations
  • Audience and Content

From this feedback, I have many areas that I need to focus on and think about in order to successfully continue with my Design For Print brief. I need to experiment with different types of stocks and see the ways in which my stock choice will be impacted on by the thermochromic ink. At the moment, I know that in order to successfully conceal a screen printed image, I need to apply around 3 layers. However, I am currently intending on using slightly lighter paper, perhaps 80 - 100gsm, and will be digitally printing the rest of my book; these both being things I will need to test with my ink. I also need to think about mass production and short-runs and the effect that these would have on the final outcomes. At the moment, I think that the book I produce would normally be a short-run item, a novelty, which allows me to experiment more with finishing methods and processes. The main aspects of this project that I am currently having difficulty with is figuring out who my audience is, and therefore what my content will be. As they both inform each other, I need to be able to understand who I am aiming my product at or what I am putting into my publication.

OUGD 504 - Peer Feedback

Today, we are going to be put into small groups in order to run some peer feedback sessions. This will allow us the chance to present our Design For Print briefs, Design For Web briefs, or both. I decided that I would initially talk about my Design For Print project, as this is the project that I am most involved with and think is most important for me to receive feedback on. After having presented all of the printing research I have been doing, as well as talking through my concept and ideas for my final outcome, this is the feedback that I received:

  • Maybe focus on one category of print
  • Try using multiple print processes within one design, show how each of them could work together. I could then talk about how it has been done, the advantages and disadvantages of the combinations of processes. This could also include brief information about each of the print processes that I have used.
  • Think about audience - Are they well educated? Think about tone of voice and language. In terms of my concept, who are the explorers?
  • Book of complete black pages, all heat sensitive
Within this critique, I received a lot of information that I think I need to start to consider a lot more in order to successfully progress with this project. I am currently stuck on my audience, which is preventing me from being able to understand what content will be appropriate. When I was discussing one of my ideas for my book, covering each page with an image of space made from heat sensitive ink, I got a piece of feedback that is very useful.

If I was to have a different image of space, each screen printed, over every page in my book it would be very problematic. Each image would require a different screen and if my book has a lot of information and pages, this would not be a viable option. However, if each of my pages was the same, completely black for example, I could just use the same screen for each page. This would still convey the idea of exploration and discovery whilst being a much more reasonable and realistic idea. I found this gif online which demonstrates how my book could look:



Obviously, with it being heat sensitive ink there would be finger prints on the edges of the pages as they were being turned. This would be the indication to the reader that they need to physically explore the page in order to briefly reveal the information. I would also leave a border around the edge, perhaps with page numbers, so that it was more obvious that the box was meant to be there. However, although I really like this idea, I first need to figure out my audience and content. My audience:
  • People interested more in print, as opposed to being about space
  • People interested in learning about print, perhaps already educated slightly?
What I need to remember is I am making an info-pack of 'things to know, consider or remember in order to produce successful design for print'. With this in mind, who is my audience?
  • People who attend print fairs and shop in places that my book would be found: Village Book store, design studios, zine shops, Manchester Northern Quarter etc. 
  • People who shop in these places but don't have much knowledge of print processes
If this was the case, my book would need to contain information about the print processes and design for print in general.


As we had time left, I then got to briefly go through my concept and ideas for my Design For Web brief. Once I had shown my initial scamps and explained my basic ideas and concept, this is the feedback that I received:
  • Who is the audience?
  • What decide's a 'trend'?
  • How many images will you have/need?
  • What is the purpose of the website?
  • Should the website be organised and structured, or more aesthetically similar to style of work?
  • What design problem is it solving: Promote, Educate, Inform, Sell etc.

When thinking about my concept, I initially thought that my audience was people, most likely designers, that have similar taste to me. They would look at tumblr, most likely own one, and appreciate the current trend within graphic design. However, when I think about this one word springs to mind: Hipster. This is the definition of the word Hipster, 'a person who follows the latest trends and fashions'. By this definition, surely the people that I am aiming my website at could be considered as hipsters?

To me if something, a style or characteristic, is repeated enough so much so that it is noticeable, then it is a trend. However, as I often only look on websites that have similar style content, I am wondering now if what I consider to be trends is only apparent within the style of design that I look at.

As I want my website to be more of an archive, a collection of art and design, I think that I will need to have a rather large database in order for it to be successful. As this is work that I have a keen interest in I already have many examples that I can use; this frequently being added to and stored on Pinterest.

The purpose of the website is to serve as a database of inspiration for any designers and 'hipsters' that want to find or look at work they maybe haven't already seen, but is still the type of design they love. It will also have some basic information about each of the trends or characteristics, along with further websites that they would appreciate knowing about.

I think that in order to let the design work speak for itself, the website that I create should be organised and structured. It should obviously also be very aesthetically pleasing and appropriate to the design that I am showing. It needs to be very simple and easy to navigate to optimise the viewers experience.

The main aim of the website is to entertain and educate, whilst informing the viewer about other designers and sources of information.

Formula Studio

Whilst thinking about the current brief that we are working on, 'Design For Print', me and fellow student Harrison were discussing various different processes that we thought were interesting. One process that we both really liked and wanted to try out was latex scratch off overprint. We knew that this was used last year within the college project 'This Is Not The End'. One of the designers responsible for this design was Luke O'Brien, former LCA student and co-founder of Formula Studios. We decided to contact him and arrange to meet up to discuss various things, which we did through Twitter.


Things that we wanted to discuss with Luke:
  • Latex Overprint
  • Stock Supplier
  • Clients
  • Printers
  • Various Projects

We initially discussed latex overprint, as this was the main motive behind contacting him. Generally if this process was going to be used, it would be printed by professional printers; but when proposing the idea originally Luke had to create a DIY version to visually demonstrate their concept. He talked us through the process, explaining his findings and what we needed to do in order to get what we wanted. He explained how this was a trial and error type of process that would involve a lot of experimenting in order to achieve an effective result, this being something that we are going to explore over the next few days and hopefully perfect. 

We then started talking about local printers and the places that Formula Studios uses to print their work. He informed us of a few places that are in Leeds, but said that he had not yet found a printer that they have used frequently. We learnt about various tips and tricks that could help us to make new contacts and get free samples of paper and other materials, as well as talking us through his method of professionally photographing their own work.

This led us to talk more about individual projects and the concepts and processes that he has used in the past. This was very interesting as it gave us more of an insight into the workings of a professional designer and was very enlightening. Once we had talked through the projects we were very enthusiastic about and looked through his portfolio, we just had a chat about Formula Studio as a whole and how they're getting on.

This meeting was very beneficial for us as designers and as professionals; we have learnt many new techniques and tricks as well as helping us start to think about creating new contacts and networks. At the end of the meeting, Luke kindly gave us a print and business card as well as agreeing to let us go visit them once they have moved into their new studio space in the coming year. From here, we plan on experimenting with latex overprint, as well as contacting some of the places and people that Luke recommended to us.